WHAT IS ”MUMYOI-YAKI”

About “MUMYOIYAKI”

The minerals containing iron oxide produced from the Sado gold silver yamanaka are said to be unnamed (Muyumi) and used as pottery for high temperature calcination.

Its characteristic is that there are special work such as raw polishing in the manufacturing process and polishing of sand after baking.

Also, clay which was elutriated (sifted) with 200 sieve (sieve) is about 30% shrunk because of fine particles.

As a result, the product is extremely hard and emits a clear metal sound when it hits, and it increases in gloss as you use it.

Unnamed is originally excellent in medicinal efficacy, it was effective in middle-spa · gastroenteric diseases · burns · hemostasis.

In this kiln, we pursue a kimono mimic by a glaze prepared by Sado's natural stone and wood ash and a climbing kiln in addition to the traditional unnamed burning style.

This unnamed okanei bowl has attracted attention as tea, alcohol, beer, coffee, etc. taste delicious.

* Elimination (Suihi) Work to remove sand and impurities in the process of adjusting fine clay. Water filtration.

History of “MUMYOIYAKI”

The history of unnamed bakiyaki began in the second year of government (1819), when Ito shohei produced a grilled fish using an unnamed difference produced in the pit of Sado Kanayama, Takutaro Ito said that in 1857 I started smoking with an unnamed.

After that, the first generation · Miura Tsuneyama made an effort to make the old quality brittle unnamed okara the same robust ceramics as the vermillion purple mud in China's Yixing (kiko) kiln, and burning the high-grade vermillion purple mud It was completed.

After that, the first generation · Miura Tsuneyama made an effort to make the old quality brittle unnamed okara the same robust ceramics as the vermillion purple mud in China's Yixing (kiko) kiln, and burning the high-grade vermillion purple mud It was completed.

About shrinkage

Unnamed okara shrinks by about 30% from molding to drying. As a result, it will burn very hard.

※ Normal cuts are about 10 ~ 15% shrinkage.

About surface color

Unnamed okara changes the color and pattern of the surface depending on the material to be blended. It is one of the charms that I do not know what kind of finish it will be until baked and there is not exactly the same thing.

Kiln change

In the kiln the pattern of the surface of the instrument changes depending on the baptism of the flame, and various scenery can be shown depending on how to put in the kiln and the amount of oxygen in the flames.

Sea cucumber

The glaze formulated with the camellia tree ash, the color of the emerald green is mysterious. It is an unstable glaze that changes every kiln.

Yellow

I tried using the oyster shells of the typical taste of winter seas, a good color came out.

Blue

I imaged the sea of ​​Sado, this glaze is preparing local rocks and ashes etc of the straw.

Deep green

I tried to give a calm texture with a matt colored glaze.

Reddish brown

It is a mixture of local sandstones and wood ash of Sado and it is influenced by the iron content of the body and turns reddish brown.

* In addition to the above, there are glazes of various colors. Please inquire by all means.